Summing up her style in three words-edgy, punk, slutty-Vilim gravitates toward barely there club dresses “that make feel as hot as possible,” piling on silver jewelry and slashing neon pigment on the eyes.
Wedge haircut male 80s pro#
“I just was like f**k it and started cutting my hair myself,” she says, adding that whenever she needs an intervention, she goes to pro hairstylist Travis Speck and colorist Aura Friedman at the Sally Hershberger salon. It was at 20 that Vilim first took the business-in-the-front-party-in-the-back plunge.
But once Vilim began modeling, she started cutting it, bleaching it, and getting Technicolor dye jobs inspired by German performer Nina Hagen. Growing up as a ballet dancer, the 24-year-old model wasn’t able to do anything drastic or permanent to her hair. Like King, born-and-bred New Yorker Veronika Vilim also takes a DIY approach while tending to her shape-shifting mullet. “Mullet-haired girls have way more fun, anyway.” “I wanted to create a new kind of princess,” she says of cultivating her image. Pairing oversize sweatshirts or ribbed tanks with hot pants and cowboy boots, Lee does fantasy on her own terms. “I love mixing the mall rat look with pieces from thrift shops or the local military surplus store,” she explains. “My haircut adds so much edge to my look, I like to find balance with my choice of clothing,” says Lee, who counts Icelandic producer Björk as her enduring fashion muse. With two aspirational photos of Gollum from The Lord of the Rings in hand, she visited hairstylist Sully Layo and the two collaborated on a style loosely emulating the fictional hobbit with jagged baby bangs and a trail of rattail-like lengths.
Two years ago, “I needed an identity change after a breakup,” confesses the 26-year-old Korean American, who adds even more drama above the neck by bleaching her brows and saturating her eyes in sparkles. “Japanese cowgirl goes to summer camp,” is how Hiromi describes it, with her wardrobe predominantly comprised of thrifted wonders and hand-me-downs from her parents-the perfect complement to her cool hybrid mane.Īcross the country in Los Angeles, Josephine Pearl Lee, better known as Princess Gollum on Instagram, is equally meticulous about styling herself. “In the mornings, all I have to do is run my fingers through the front and brush out the back.” A similar simplicity manifests in her personal style, a mélange that runs the gamut from exotic floral-printed blouses to modern utilitarian pieces. “It requires almost no effort to style,” she explains. But as directional as her look may be, she insists it’s low-maintenance.
“I haven’t cut it in over two years, and my bangs just keep getting shorter moving further back on my head,” she says with a laugh. Five years ago, the 25-year-old Austin, Texas, native, who inherited her preternaturally long hair from her Japanese mother, began rocking her high-low shape, and it’s only gotten more extreme with time. Anyone can pull off a mullet when it’s done right.” And with blunt micro-fringe in the front and hip-grazing waves down her back, Hiromi walks the walk among a slew of impossibly stylish women who are bringing the style street-level. “But it’s a connotation because then well-executed styles get overlooked. “When a mullet’s done wrong, it looks like it’s straight out of a bad ’80s fashion meme,” says the New York City–based model and freelance designer Sara Hiromi. But in the decades that followed, there was a seismic shift-spurred by country singer Billy Ray Cyrus in the ’80s, aggravated by NHL hockey players in the ’90s, and cemented by 2001 “white trash” comedy Joe Dirt in the early aughts-that tarnished the mullet’s reputation. Not to mention the twofold endorsement from one of the era’s golden couples, Paul and Linda McCartney, who sported his-and-hers mullets in perfect harmony. The mullet does, after all, have extraordinary iconoclast roots.ĭuring the hairstyle’s ’70s heyday, David Bowie’s ethereal alter ego Ziggy Stardust had an unmistakable flame red fade, while fellow musicians Patti Smith and Chrissie Hynde sported choppy shags tailor-made for headbanging. From the red carpet’s foremost disruptors Rihanna and Zendaya giving it their stamp of approval to the runways, where, last September, design wunderkind Virgil Abloh sent models down the Off-White catwalk with tightly coiled, wedge-shaped iterations, the appeal of the infamous style is being thrust back into the zeitgeist. Over the past few years, the fashion world has proclaimed the triumphant return of the ever-polarizing mullet.
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